In the corridor that distributes the different rooms of the flat, including the main exhibition space, there is a series of drawings and objects, the credits of which are as follows:

concealment (a drawing)

adaptation (a drawing)

headgear 1 (a drawing)

headgear 2 (a drawing)

dead end (a drawing and a table structure)

neighbours (two screen structures)

the ghost (one design)

indiscreet (two chair frames)

ears of corn (one drawing)

fall (three drawings).

There is a latent narrative in this ensemble with spasmodic disconnections. We enter a space where the drawings are discontinuous clues and the objects (or table, chair and screen structures) are evidence of a passage of time and action.